Post by ghost on Jul 30, 2008 18:58:51 GMT -5
yeah.. i'm depressed and reading sylvia plath again..
thought i'd share some:
my favorite quote:
'In life, love gnawed my skin
To this white bone;
What love did then, love does now:
Gnaws me through.'
here's a bunch:
Edge
The woman is perfected.
Her dead
Body wears the smile of accomplishment,
The illusion of a Greek necessity
Flows in the scrolls of her toga,
Her bare
Feet seem to be saying:
We have come so far, it is over.
Each dead child coiled, a white serpent,
One at each little
Pitcher of milk, now empty.
She has folded
Them back into her body as petals
Of a rose close when the garden
Stiffens and odors bleed
From the sweet, deep throats of the night flower.
The moon has nothing to be sad about,
Staring from her hood of bone.
She is used to this sort of thing.
Her blacks crackle and drag.
Contusion
Color floods to the spot, dull purple.
The rest of the body is all washed out,
The color of pearl.
In a pit of rock
The sea sucks obsessively,
One hollow the whole sea's pivot.
The size of a fly,
The doom mark
Crawls down the wall.
The heart shuts,
The sea slides back,
The mirrors are sheeted.
Kindness
Kindness glides about my house.
Dame Kindness, she is so nice!
The blue and red jewels of her rings smoke
In the windows, the mirrors
Are filling with smiles.
What is so real as the cry of a child?
A rabbit's cry may be wilder
But it has no soul.
Sugar can cure everything, so Kindness says.
Sugar is a necessary fluid,
Its crystals a little poultice.
O kindness, kindness
Sweetly picking up pieces!
My Japanese silks, desperate butterflies,
May be pinned any minute, anesthetized.
And here you come, with a cup of tea
Wreathed in steam.
The blood jet is poetry,
There is no stopping it.
You hand me two children, two roses.
Sheep in Fog
The hills step off into whiteness.
People or stars
Regard me sadly, I disappoint them.
The train leaves a line of breath.
O slow
Horse the colour of rust,
Hooves, dolorous bells -
All morning the
Morning has been blackening,
A flower left out.
My bones hold a stillness, the far
Fields melt my heart.
They threaten
To let me through to a heaven
Starless and fatherless, a dark water.
Death & Co.
Two, of course there are two.
It seems perfectly natural now ---
The one who never looks up, whose eyes are lidded
And balled¸ like Blake's.
Who exhibits
The birthmarks that are his trademark ---
The scald scar of water,
The nude
Verdigris of the condor.
I am red meat. His beak
Claps sidewise: I am not his yet.
He tells me how badly I photograph.
He tells me how sweet
The babies look in their hospital
Icebox, a simple
Frill at the neck
Then the flutings of their Ionian
Death-gowns.
Then two little feet.
He does not smile or smoke.
The other does that
His hair long and plausive
Bastard
Masturbating a glitter
He wants to be loved.
I do not stir.
The frost makes a flower,
The dew makes a star,
The dead bell,
The dead bell.
Somebody's done for.
Lesbos
Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors
Stage curtains, a widow’s frizz.
And I, love, am a pathological liar,
And my child look at her, face down on the floor,
Little unstrung puppet, kicking to disappear
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can’t hear.
You say you can’t stand her,
The bastard’s a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She’ll cut her throat at ten if she’s mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He’s a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet sex like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.
Meanwhile there’s a stink of fat and baby crap.
I’m doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: "Through?
Gee baby, you are rare."
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.
O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.
Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and sucking, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. "Every woman’s a whore.
I can’t communicate."
I see your cute decor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.
Even in your Zen heaven we shan’t meet.
The Arrival of the Bee Box
I ordered this, clean wood box
Square as a chair and almost too heavy to lift.
I would say it was the coffin of a midget
Or a square baby
Were there not such a din in it.
The box is locked, it is dangerous.
I have to live with it overnight
And I can't keep away from it.
There are no windows, so I can't see what is in there.
There is only a little grid, no exit.
I put my eye to the grid.
It is dark, dark,
With the swarmy feeling of African hands
Minute and shrunk for export,
Black on black, angrily clambering.
How can I let them out?
It is the noise that appalls me most of all,
The unintelligible syllables.
It is like a Roman mob,
Small, taken one by one, but my god, together!
I lay my ear to furious Latin.
I am not a Caesar.
I have simply ordered a box of maniacs.
They can be sent back.
They can die, I need feed them nothing, I am the owner.
I wonder how hungry they are.
I wonder if they would forget me
If I just undid the locks and stood back and turned into a tree.
There is the laburnum, its blond colonnades,
And the petticoats of the cherry.
They might ignore me immediately
In my moon suit and funeral veil.
I am no source of honey
So why should they turn on me?
Tomorrow I will be sweet God, I will set them free.
The box is only temporary.
Crossing the Water
Black lake, black boat, two black, cut-paper people.
Where do the black trees go that drink here?
Their shadows must cover Canada.
A little light is filtering from the water flowers.
Their leaves do not wish us to hurry:
They are round and flat and full of dark advice.
Cold worlds shake from the oar.
The spirit of blackness is in us, it is in the fishes.
A snag is lifting a valedictory, pale hand;
Stars open among the lilies.
Are you not blinded by such expressionless sirens?
This is the silence of astounded souls.
I Am Vertical
But I would rather be horizontal.
I am not a tree with my root in the soil
Sucking up minerals and motherly love
So that each March I may gleam into leaf,
Nor am I the beauty of a garden bed
Attracting my share of Ahs and spectacularly painted,
Unknowing I must soon unpetal.
Compared with me, a tree is immortal
And a flower-head not tall, but more startling,
And I want the one's longevity and the other's daring.
Tonight, in the infinitesimallight of the stars,
The trees and the flowers have been strewing their cool odors.
I walk among them, but none of them are noticing.
Sometimes I think that when I am sleeping
I must most perfectly resemble them--
Thoughts gone dim.
It is more natural to me, lying down.
Then the sky and I are in open conversation,
And I shall be useful when I lie down finally:
Then the trees may touch me for once, and the flowers have time for me.
Waking in Winter
I can taste the tin of the sky --- the real tin thing.
Winter dawn is the color of metal,
The trees stiffen into place like burnt nerves.
All night I have dreamed of destruction, annihilations ---
An assembly-line of cut throats, and you and I
Inching off in the gray Chevrolet, drinking the green
Poison of stilled lawns, the little clapboard gravestones,
Noiseless, on rubber wheels, on the way to the sea resort.
How the balconies echoed! How the sun lit up
The skulls, the unbuckled bones facing the view!
Space! Space! The bed linen was giving out entirely.
Cot legs melted in terrible attitudes, and the nurses ---
Each nurse patched her soul to a wound and disappeared.
The deathly guests had not been satisfied
With the rooms, or the smiles, or the beautiful rubber plants,
Or the sea, Hushing their peeled sense like Old Mother Morphia.
Stillborn
These poems do not live: it's a sad diagnosis.
They grew their toes and fingers well enough,
Their little foreheads bulged with concentration.
If they missed out on walking about like people
It wasn't for any lack of mother-love.
O I cannot explain what happened to them!
They are proper in shape and number and every part.
They sit so nicely in the pickling fluid!
They smile and smile and smile at me.
And still the lungs won't fill and the heart won't start.
They are not pigs, they are not even fish,
Though they have a piggy and a fishy air -
It would be better if they were alive, and that's what they were.
But they are dead, and their mother near dead with distraction,
And they stupidly stare and do not speak of her.
The Sleepers
No map traces the street
Where those two sleepers are.
We have lost track of it.
They lie as if under water
In a blue, unchanging light,
The French window ajar
Curtained with yellow lace.
Through the narrow crack
Odors of wet earth rise.
The snail leaves a silver track;
Dark thickets hedge the house.
We take a backward look.
Among petals pale as death
And leaves steadfast in shape
They sleep on, mouth to mouth.
A White mist is going up.
The small green nostrils breathe,
And they turn in their sleep.
Ousted from that warm bed
We are a dream they dream.
Their eyelids keep the shade.
No harm can come to them.
We cast out skins and slide
Into another time.
Frog Autumn
Summer grows old, cold-blooded mother.
The insects are scant, skinny.
In these palustral homes we only
Croak and wither.
Mornings dissipate in somnolence.
The sun brightens tardily
Among the pithless reeds. Flies fail us.
he fen sickens.
Frost drops even the spider. Clearly
The genius of plenitude
Houses himself elsewhwere. Our folk thin
Lamentably.
Lorelei
It is no night to drown in:
A full moon, river lapsing
Black beneath bland mirror-sheen,
The blue water-mists dropping
Scrim after scrim like fishnets
Though fishermen are sleeping,
The massive castle turrets
Doubling themselves in a glass
All stillness. Yet these shapes float
Up toward me, troubling the face
Of quiet. From the nadir
They rise, their limbs ponderous
With richness, hair heavier
Than sculptured marble. They sing
Of a world more full and clear
Than can be. Sisters, your song
Bears a burden too weighty
For the whorled ear's listening
Here, in a well-steered country,
Under a balanced ruler.
Deranging by harmony
Beyond the mundane order,
Your voices lay siege. You lodge
On the pitched reefs of nightmare,
Promising sure harborage;
By day, descant from borders
Of hebetude, from the ledge
Also of high windows. Worse
Even than your maddening
Song, your silence. At the source
Of your ice-hearted calling-
Drunkenness of the great depths.
O river, I see drifting
Deep in your flux of silver
Those great goddesses of peace.
Stone, stone, ferry me down there.
The Everlasting Monday
Thou shalt have an everlasting
Monday and stand in the moon.
The moon's man stands in his shell,
Bent under a bundle
Of sticks. The light falls chalk and cold
Upon our bedspread.
His teeth are chattering among the leprous
Peaks and craters of those extinct volcanoes.
He also against black frost
Would pick sticks, would not rest
Until his own lit room outshone
Sunday's ghost of sun;
Now works his hell of Mondays in the moon's ball,
Fireless, seven chill seas chained to his ankle.
Sonnet to Satan
In darkroom of your eye the moonly mind
someraults to couterfeit eclipse;
bright angels black out over logic's land
under shutter of their handicaps.
Commanding that corkscrew comet jet forth ink
to pitch the white world down in swiveling flood,
you overcast all order's noonday rank
and turn god's radiant photograph to shade.
Steepling snake in that contrary light
invades the dilate lens of genesis
to print your flaming image in birthspot
with characters no cockcrow can deface.
O maker of proud planet's negative,
obscure the scalding sun till no clocks move.
On Looking into the Eyes of a Demon Lover
Here are two pupils
whose moons of black
transform to cripples
all who look:
each lovely lady
who peers inside
take on the body
of a toad.
Within these mirrors
the world inverts:
the fond admirer's
burning darts
turn back to injure
the thrusting hand
and inflame to danger
the scarlet wound.
I sought my image
in the scorching glass,
for what fire could damage
a witch's face?
So I stared in that furnace
where beauties char
but found radiant Venus
reflected there.
Mad Girl's Love Song
"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)
The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.
I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)
God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.
I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)
I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"
Jilted
My thoughts are crabbed and sallow,
My tears like vinegar,
Or the bitter blinking yellow
Of an acetic star.
Tonight the caustic wind, love,
Gossips late and soon,
And I wear the wry-faced pucker of
The sour lemon moon.
While like an early summer plum,
Puny, green, and tart,
Droops upon its wizened stem
My lean, unripened heart.
To a Jilted Lover
Cold on my narrow cot I lie
and in sorrow look
through my window-square of black:
figured in the midnight sky,
a mosaic of stars
diagrams the falling years,
while from the moon, my lover's eye
chills me to death
with radiance of his frozen faith.
Once I wounded him with so
small a thorn
I never thought his flesh would burn
or that the heat within would grow
until he stood
incandescent as a god;
now there is nowhere I can go
to hide from him:
moon and sun reflect his flame.
In the morning all shall be
the same again:
stars pale before the angry dawn;
the gilded cock will turn for me
the rack of time
until the peak of noon has come
and by that glare, my love will see
how I am still
blazing in my golden hell.
Doomsday
The idiot bird leaps out and drunken leans
Atop the broken universal clock:
The hour is crowed in lunatic thirteens.
Out painted stages fall apart by scenes
While all the actors halt in mortal shock:
The idiot bird leaps out and drunken leans.
Streets crack through in havoc-split ravines
As the doomstruck city crumbles block by block:
The hour is crowed in lunatic thirteens.
Fractured glass flies down in smithereens;
Our lucky relics have been put in hock:
The idiot bird leaps out and drunken leans.
The monkey's wrench has blasted all machines;
We never thought to hear the holy cock:
The hour is crowed in lunatic thirteens.
Too late to ask if end was worth the means,
Too late to calculate the toppling stock:
The idiot bird leaps out and drunken leans,
The hour is crowed in lunatic thirteens.
Doom of Exiles
Now we, returning from the vaulted domes
Of our colossal sleep, come home to find
A tall metropolis of catacombs
Erected down the gangways of our mind.
Green alleys where we reveled have become
The infernal haunt of demon dangers;
Both seraph song and violins are dumb;
Each clock tick consecrates the death of strangers
Backward we traveled to reclaim the day
Before we fell, like Icarus, undone;
All we find are altars in decay
And profane words scrawled black across the sun.
Still, stubbornly we try to crack the nut
In which the riddle of our race is shut.
The Dead
Revolving in oval loops of solar speed,
Couched in cauls of clay as in holy robes,
Dead men render love and war no heed,
Lulled in the ample womb of the full-tilt globe.
No spiritual Caesars are these dead;
They want no proud paternal kingdom come;
And when at last they blunder into bed
World-wrecked, they seek only oblivion.
Rolled round with goodly loam and cradled deep,
These bone shanks will not wake immaculate
To trumpet-toppling dawn of doomstruck day :
They loll forever in colossal sleep;
Nor can God's stern, shocked angels cry them up
From their fond, final, infamous decay.
Black Pine Tree in an Orange Light
Tell me what you see in it :
The pine tree like a Rorschach-blot
black against the orange light :
Plant an orange pumpkin patch
which at twelve will quaintly hatch
nine black mice with ebon coach,
or walk into the orange and make
a devil's cataract of black
obscure god's eye with corkscrew fleck;
put orange mistress half in sun,
half in shade, until her skin
tattoos black leaves on tangerine.
Read black magic or holy book
or lyric of love in the orange and black
till dark is conquered by orange cock,
but more pragmatic than all this,
say how crafty the painter was
to make orange and black ambiguous.
Admonition
If you dissect a bird
To diagram the tongue
You'll cut the chord
Articulating song.
If you flay a beast
To marvel at the mane
You'll wreck the rest
From which the fur began.
If you pluck out the heart
To find what makes it move,
You'll halt the clock
That syncopates our love.
ghost
thought i'd share some:
my favorite quote:
'In life, love gnawed my skin
To this white bone;
What love did then, love does now:
Gnaws me through.'
here's a bunch:
Edge
The woman is perfected.
Her dead
Body wears the smile of accomplishment,
The illusion of a Greek necessity
Flows in the scrolls of her toga,
Her bare
Feet seem to be saying:
We have come so far, it is over.
Each dead child coiled, a white serpent,
One at each little
Pitcher of milk, now empty.
She has folded
Them back into her body as petals
Of a rose close when the garden
Stiffens and odors bleed
From the sweet, deep throats of the night flower.
The moon has nothing to be sad about,
Staring from her hood of bone.
She is used to this sort of thing.
Her blacks crackle and drag.
Contusion
Color floods to the spot, dull purple.
The rest of the body is all washed out,
The color of pearl.
In a pit of rock
The sea sucks obsessively,
One hollow the whole sea's pivot.
The size of a fly,
The doom mark
Crawls down the wall.
The heart shuts,
The sea slides back,
The mirrors are sheeted.
Kindness
Kindness glides about my house.
Dame Kindness, she is so nice!
The blue and red jewels of her rings smoke
In the windows, the mirrors
Are filling with smiles.
What is so real as the cry of a child?
A rabbit's cry may be wilder
But it has no soul.
Sugar can cure everything, so Kindness says.
Sugar is a necessary fluid,
Its crystals a little poultice.
O kindness, kindness
Sweetly picking up pieces!
My Japanese silks, desperate butterflies,
May be pinned any minute, anesthetized.
And here you come, with a cup of tea
Wreathed in steam.
The blood jet is poetry,
There is no stopping it.
You hand me two children, two roses.
Sheep in Fog
The hills step off into whiteness.
People or stars
Regard me sadly, I disappoint them.
The train leaves a line of breath.
O slow
Horse the colour of rust,
Hooves, dolorous bells -
All morning the
Morning has been blackening,
A flower left out.
My bones hold a stillness, the far
Fields melt my heart.
They threaten
To let me through to a heaven
Starless and fatherless, a dark water.
Death & Co.
Two, of course there are two.
It seems perfectly natural now ---
The one who never looks up, whose eyes are lidded
And balled¸ like Blake's.
Who exhibits
The birthmarks that are his trademark ---
The scald scar of water,
The nude
Verdigris of the condor.
I am red meat. His beak
Claps sidewise: I am not his yet.
He tells me how badly I photograph.
He tells me how sweet
The babies look in their hospital
Icebox, a simple
Frill at the neck
Then the flutings of their Ionian
Death-gowns.
Then two little feet.
He does not smile or smoke.
The other does that
His hair long and plausive
Bastard
Masturbating a glitter
He wants to be loved.
I do not stir.
The frost makes a flower,
The dew makes a star,
The dead bell,
The dead bell.
Somebody's done for.
Lesbos
Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors
Stage curtains, a widow’s frizz.
And I, love, am a pathological liar,
And my child look at her, face down on the floor,
Little unstrung puppet, kicking to disappear
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can’t hear.
You say you can’t stand her,
The bastard’s a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She’ll cut her throat at ten if she’s mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He’s a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet sex like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.
Meanwhile there’s a stink of fat and baby crap.
I’m doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: "Through?
Gee baby, you are rare."
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.
O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.
Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and sucking, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. "Every woman’s a whore.
I can’t communicate."
I see your cute decor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.
Even in your Zen heaven we shan’t meet.
The Arrival of the Bee Box
I ordered this, clean wood box
Square as a chair and almost too heavy to lift.
I would say it was the coffin of a midget
Or a square baby
Were there not such a din in it.
The box is locked, it is dangerous.
I have to live with it overnight
And I can't keep away from it.
There are no windows, so I can't see what is in there.
There is only a little grid, no exit.
I put my eye to the grid.
It is dark, dark,
With the swarmy feeling of African hands
Minute and shrunk for export,
Black on black, angrily clambering.
How can I let them out?
It is the noise that appalls me most of all,
The unintelligible syllables.
It is like a Roman mob,
Small, taken one by one, but my god, together!
I lay my ear to furious Latin.
I am not a Caesar.
I have simply ordered a box of maniacs.
They can be sent back.
They can die, I need feed them nothing, I am the owner.
I wonder how hungry they are.
I wonder if they would forget me
If I just undid the locks and stood back and turned into a tree.
There is the laburnum, its blond colonnades,
And the petticoats of the cherry.
They might ignore me immediately
In my moon suit and funeral veil.
I am no source of honey
So why should they turn on me?
Tomorrow I will be sweet God, I will set them free.
The box is only temporary.
Crossing the Water
Black lake, black boat, two black, cut-paper people.
Where do the black trees go that drink here?
Their shadows must cover Canada.
A little light is filtering from the water flowers.
Their leaves do not wish us to hurry:
They are round and flat and full of dark advice.
Cold worlds shake from the oar.
The spirit of blackness is in us, it is in the fishes.
A snag is lifting a valedictory, pale hand;
Stars open among the lilies.
Are you not blinded by such expressionless sirens?
This is the silence of astounded souls.
I Am Vertical
But I would rather be horizontal.
I am not a tree with my root in the soil
Sucking up minerals and motherly love
So that each March I may gleam into leaf,
Nor am I the beauty of a garden bed
Attracting my share of Ahs and spectacularly painted,
Unknowing I must soon unpetal.
Compared with me, a tree is immortal
And a flower-head not tall, but more startling,
And I want the one's longevity and the other's daring.
Tonight, in the infinitesimallight of the stars,
The trees and the flowers have been strewing their cool odors.
I walk among them, but none of them are noticing.
Sometimes I think that when I am sleeping
I must most perfectly resemble them--
Thoughts gone dim.
It is more natural to me, lying down.
Then the sky and I are in open conversation,
And I shall be useful when I lie down finally:
Then the trees may touch me for once, and the flowers have time for me.
Waking in Winter
I can taste the tin of the sky --- the real tin thing.
Winter dawn is the color of metal,
The trees stiffen into place like burnt nerves.
All night I have dreamed of destruction, annihilations ---
An assembly-line of cut throats, and you and I
Inching off in the gray Chevrolet, drinking the green
Poison of stilled lawns, the little clapboard gravestones,
Noiseless, on rubber wheels, on the way to the sea resort.
How the balconies echoed! How the sun lit up
The skulls, the unbuckled bones facing the view!
Space! Space! The bed linen was giving out entirely.
Cot legs melted in terrible attitudes, and the nurses ---
Each nurse patched her soul to a wound and disappeared.
The deathly guests had not been satisfied
With the rooms, or the smiles, or the beautiful rubber plants,
Or the sea, Hushing their peeled sense like Old Mother Morphia.
Stillborn
These poems do not live: it's a sad diagnosis.
They grew their toes and fingers well enough,
Their little foreheads bulged with concentration.
If they missed out on walking about like people
It wasn't for any lack of mother-love.
O I cannot explain what happened to them!
They are proper in shape and number and every part.
They sit so nicely in the pickling fluid!
They smile and smile and smile at me.
And still the lungs won't fill and the heart won't start.
They are not pigs, they are not even fish,
Though they have a piggy and a fishy air -
It would be better if they were alive, and that's what they were.
But they are dead, and their mother near dead with distraction,
And they stupidly stare and do not speak of her.
The Sleepers
No map traces the street
Where those two sleepers are.
We have lost track of it.
They lie as if under water
In a blue, unchanging light,
The French window ajar
Curtained with yellow lace.
Through the narrow crack
Odors of wet earth rise.
The snail leaves a silver track;
Dark thickets hedge the house.
We take a backward look.
Among petals pale as death
And leaves steadfast in shape
They sleep on, mouth to mouth.
A White mist is going up.
The small green nostrils breathe,
And they turn in their sleep.
Ousted from that warm bed
We are a dream they dream.
Their eyelids keep the shade.
No harm can come to them.
We cast out skins and slide
Into another time.
Frog Autumn
Summer grows old, cold-blooded mother.
The insects are scant, skinny.
In these palustral homes we only
Croak and wither.
Mornings dissipate in somnolence.
The sun brightens tardily
Among the pithless reeds. Flies fail us.
he fen sickens.
Frost drops even the spider. Clearly
The genius of plenitude
Houses himself elsewhwere. Our folk thin
Lamentably.
Lorelei
It is no night to drown in:
A full moon, river lapsing
Black beneath bland mirror-sheen,
The blue water-mists dropping
Scrim after scrim like fishnets
Though fishermen are sleeping,
The massive castle turrets
Doubling themselves in a glass
All stillness. Yet these shapes float
Up toward me, troubling the face
Of quiet. From the nadir
They rise, their limbs ponderous
With richness, hair heavier
Than sculptured marble. They sing
Of a world more full and clear
Than can be. Sisters, your song
Bears a burden too weighty
For the whorled ear's listening
Here, in a well-steered country,
Under a balanced ruler.
Deranging by harmony
Beyond the mundane order,
Your voices lay siege. You lodge
On the pitched reefs of nightmare,
Promising sure harborage;
By day, descant from borders
Of hebetude, from the ledge
Also of high windows. Worse
Even than your maddening
Song, your silence. At the source
Of your ice-hearted calling-
Drunkenness of the great depths.
O river, I see drifting
Deep in your flux of silver
Those great goddesses of peace.
Stone, stone, ferry me down there.
The Everlasting Monday
Thou shalt have an everlasting
Monday and stand in the moon.
The moon's man stands in his shell,
Bent under a bundle
Of sticks. The light falls chalk and cold
Upon our bedspread.
His teeth are chattering among the leprous
Peaks and craters of those extinct volcanoes.
He also against black frost
Would pick sticks, would not rest
Until his own lit room outshone
Sunday's ghost of sun;
Now works his hell of Mondays in the moon's ball,
Fireless, seven chill seas chained to his ankle.
Sonnet to Satan
In darkroom of your eye the moonly mind
someraults to couterfeit eclipse;
bright angels black out over logic's land
under shutter of their handicaps.
Commanding that corkscrew comet jet forth ink
to pitch the white world down in swiveling flood,
you overcast all order's noonday rank
and turn god's radiant photograph to shade.
Steepling snake in that contrary light
invades the dilate lens of genesis
to print your flaming image in birthspot
with characters no cockcrow can deface.
O maker of proud planet's negative,
obscure the scalding sun till no clocks move.
On Looking into the Eyes of a Demon Lover
Here are two pupils
whose moons of black
transform to cripples
all who look:
each lovely lady
who peers inside
take on the body
of a toad.
Within these mirrors
the world inverts:
the fond admirer's
burning darts
turn back to injure
the thrusting hand
and inflame to danger
the scarlet wound.
I sought my image
in the scorching glass,
for what fire could damage
a witch's face?
So I stared in that furnace
where beauties char
but found radiant Venus
reflected there.
Mad Girl's Love Song
"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)
The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.
I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)
God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.
I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)
I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"
Jilted
My thoughts are crabbed and sallow,
My tears like vinegar,
Or the bitter blinking yellow
Of an acetic star.
Tonight the caustic wind, love,
Gossips late and soon,
And I wear the wry-faced pucker of
The sour lemon moon.
While like an early summer plum,
Puny, green, and tart,
Droops upon its wizened stem
My lean, unripened heart.
To a Jilted Lover
Cold on my narrow cot I lie
and in sorrow look
through my window-square of black:
figured in the midnight sky,
a mosaic of stars
diagrams the falling years,
while from the moon, my lover's eye
chills me to death
with radiance of his frozen faith.
Once I wounded him with so
small a thorn
I never thought his flesh would burn
or that the heat within would grow
until he stood
incandescent as a god;
now there is nowhere I can go
to hide from him:
moon and sun reflect his flame.
In the morning all shall be
the same again:
stars pale before the angry dawn;
the gilded cock will turn for me
the rack of time
until the peak of noon has come
and by that glare, my love will see
how I am still
blazing in my golden hell.
Doomsday
The idiot bird leaps out and drunken leans
Atop the broken universal clock:
The hour is crowed in lunatic thirteens.
Out painted stages fall apart by scenes
While all the actors halt in mortal shock:
The idiot bird leaps out and drunken leans.
Streets crack through in havoc-split ravines
As the doomstruck city crumbles block by block:
The hour is crowed in lunatic thirteens.
Fractured glass flies down in smithereens;
Our lucky relics have been put in hock:
The idiot bird leaps out and drunken leans.
The monkey's wrench has blasted all machines;
We never thought to hear the holy cock:
The hour is crowed in lunatic thirteens.
Too late to ask if end was worth the means,
Too late to calculate the toppling stock:
The idiot bird leaps out and drunken leans,
The hour is crowed in lunatic thirteens.
Doom of Exiles
Now we, returning from the vaulted domes
Of our colossal sleep, come home to find
A tall metropolis of catacombs
Erected down the gangways of our mind.
Green alleys where we reveled have become
The infernal haunt of demon dangers;
Both seraph song and violins are dumb;
Each clock tick consecrates the death of strangers
Backward we traveled to reclaim the day
Before we fell, like Icarus, undone;
All we find are altars in decay
And profane words scrawled black across the sun.
Still, stubbornly we try to crack the nut
In which the riddle of our race is shut.
The Dead
Revolving in oval loops of solar speed,
Couched in cauls of clay as in holy robes,
Dead men render love and war no heed,
Lulled in the ample womb of the full-tilt globe.
No spiritual Caesars are these dead;
They want no proud paternal kingdom come;
And when at last they blunder into bed
World-wrecked, they seek only oblivion.
Rolled round with goodly loam and cradled deep,
These bone shanks will not wake immaculate
To trumpet-toppling dawn of doomstruck day :
They loll forever in colossal sleep;
Nor can God's stern, shocked angels cry them up
From their fond, final, infamous decay.
Black Pine Tree in an Orange Light
Tell me what you see in it :
The pine tree like a Rorschach-blot
black against the orange light :
Plant an orange pumpkin patch
which at twelve will quaintly hatch
nine black mice with ebon coach,
or walk into the orange and make
a devil's cataract of black
obscure god's eye with corkscrew fleck;
put orange mistress half in sun,
half in shade, until her skin
tattoos black leaves on tangerine.
Read black magic or holy book
or lyric of love in the orange and black
till dark is conquered by orange cock,
but more pragmatic than all this,
say how crafty the painter was
to make orange and black ambiguous.
Admonition
If you dissect a bird
To diagram the tongue
You'll cut the chord
Articulating song.
If you flay a beast
To marvel at the mane
You'll wreck the rest
From which the fur began.
If you pluck out the heart
To find what makes it move,
You'll halt the clock
That syncopates our love.
ghost